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The slate of non-competition films has been revealed for the 2007 Sundance Film Festival. The sections announced today include Premieres (17 films, including 16 World Premieres), Spectrum (24 films), Park City at Midnight (12), and New Frontier (6).
The complete list of both competition and non-competition features is posted at PROnetworks.
Here is a portion of the official press release from the Sundance Film Festival:
2007 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS IN THE PREMIERES, SPECTRUM, NEW FRONTIER, PARK CITY AT MIDNIGHT AND FROM THE SUNDANCE COLLECTION SECTIONS
Filmmakers Pushing the Boundaries of Aesthetics, Invention and Storytelling
Park City, UT-In the second of three program announcements, Sundance Institute announced today the line-up of films screening at the 2007 Sundance Film Festival in the out-of-competition sections Premieres, Spectrum, New Frontier, Park City at Midnight, and From the Sundance Collection. The premier showcase for the best new work of American and international independent filmmakers, the Sundance Film Festival provides audiences with the opportunity to discover the most innovative new dramatic and documentary films from today's emerging independent filmmakers. The 2007 Sundance Film Festival runs January 18-28, in Park City, Sundance, Salt Lake City, and Ogden, Utah. A complete list of films is available at the Sundance Institute website at www.sundance.org .
For the 2007 Sundance Film Festival, 123 feature films were selected including 82 world premieres, 22 North American premieres and 13 U.S. premieres representing 25 countries with nearly 60 first or second-time feature filmmakers. These films were selected from 3,287 feature submissions composed of 1,852 U.S. feature films and 1,435 international feature films. These numbers represent an increase from 2006 when 1,764 U.S. feature films and 1,384 international films were considered. This year's Festival includes films from 25 countries including Australia, Belgium, Bolivia, Brazil, Burkina Faso, Canada, Denmark, France, Georgia, Germany, Ireland, Israel, Japan, Mexico, the Netherlands, New Zealand, Norway, Philippines, South Korea, Spain, Switzerland, Russia, Tunisia, the United Kingdom, and the United States.
Posted by phileysmiley at 04:24 PM | Comments (0) | TrackBack
The eagerly awaited official announcement of the competition selections for the 2007 Sundance Film Festival took place today. Indie fans will rejoice at the quality of talent and broad range of subjects in this year's films.
The complete list of both competition and non-competition features is posted at PROnetworks.
Here is a portion of the official press release from the Sundance Film Festival:
2007 SUNDANCE FILM FESTIVAL ANNOUNCES
INDEPENDENT FILM AND WORLD CINEMA COMPETITIONS
A Festival of Discovery to Feature New and Familiar Filmmakers
Presenting Original and Surprising Stories
Park City, UT ---Sundance Institute announced today the line-up of 64 films selected for the Independent Film and World Cinema Competitions for the 2007 Sundance Film Festival. The premier showcase for the best new work by American and international independent filmmakers, the Sundance Film Festival's competitive categories provide audiences with opportunities to discover the most innovative new dramatic and documentary films from today's emerging independent filmmakers. In addition to the Competition categories, the Festival presents films in five out-of-competition sections, to be announced tomorrow. The 2007 Sundance Film Festival runs January 18-28, 2007, in Park City , Sundance, Salt Lake City , and Ogden , Utah . The complete list of films is available at www.sundance.org.
For the 2007 Sundance Film Festival, 122 feature films were selected including 82 world premieres, 24 North American premieres and 10 U.S. premieres representing 25 countries with nearly 60 first or second-time feature filmmakers. These films were selected from 3,287 feature submissions composed of 1,852 U.S. feature films and 1,435 international feature films. These numbers represent an increase from 2006 when 1,764 U.S. feature films and 1,384 international films were considered.
"We are witnessing a broadening of the traditional independent arena. In this year's Festival there is a breadth of subject matter, vision and innovative storytelling that is transforming the old idea of the American indie film," said Geoffrey Gilmore, Director, Sundance Film Festival. "This year's American Competition reflects a newfound awareness and self-expression that results in an engagement by the work that is both political and personal, a collective voice fueled by a steadfast optimism and hope for the future."
The dramatic and documentary sections of the Independent Film and World Cinema Competitions each present 16 films, for a total of 64 films that screen in competition. The Independent Film Competition is the heart of the Sundance Film Festival program and has introduced audiences to many of the best American independent films and filmmakers of the past two decades. Launched in 2005, the World Cinema Competition reflects the shared commitment of the Festival and Sundance Institute to support international artists, to provide audiences with an opportunity to discover the most compelling work by international filmmakers.
"In this year's program, filmmakers are exploring different narrative techniques and devices, pushing the documentary form to new limits, and embracing a global perspective in filmmaking," said John Cooper, Director of Programming, Sundance Film Festival. "The films in the World Cinema competition embrace complex stories and are exploring topics that transcend the confines of personal, geographic, and artistic borders."
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Earlier, we reported that "Man in the Chair" had been selected for the 57th Berlin International Film Festival. Now comes word that the film has been officially selected for the Best Independent Film competition at the 22nd Santa Barbara International Film Festival, January 25-February 4.
Following its screening at Santa Barbara, it will move on to Berlin where it will be part of the Generation Section (out of competition).
This is certainly good news for some of us who wish to attend the World Premiere (if, in fact, it is). I don't need a passport to fly to California.
Posted by phileysmiley at 04:42 PM | Comments (0) | TrackBack
Nominations were announced today for this year's Film Independent's Spirit Awards. The ceremony will be held on February 24. These are essentially the Oscars for indies, and often foretell some of those awards as well, as indies have increasingly crept onto the radar of Academy voters.
Here is the complete list.
BEST FEATURE (Award given to the Producer)
"American Gun":
Producer: Ted Kroeber
"The Dead Girl":
Producers: Tom Rosenberg, Henry Winterstern, Gary Lucchesi, Richard Wright, Eric Karten, Kevin Turen
"Half Nelson":
Producers: Jamie Patricof, Alex Orlovsky, Lynette Howell, Anna Boden, Rosanne Korenberg
"Little Miss Sunshine":
Producers: Marc Turtletaub, David T. Friendly, Peter Saraf, Albert Berger, Ron Yerxa
"Pan's Labyrinth":
Producers: Bertha Navarro, Alfonso Cuaron, Frida Torresblanco, Alvaro Augustin, Guillermo Del Toro
BEST DIRECTOR
Robert Altman: "A Prairie Home Companion"
Jonathan Dayton & Valerie Faris: "Little Miss Sunshine"
Ryan Fleck: "Half Nelson"
Karen Moncrieff: "The Dead Girl"
Steven Soderbergh : "Bubble"
BEST FIRST FEATURE (Award given to the director and producer)
"Day Night Day Night":
Director: Julia Loktev
Producers: Julia Loktev, Melanie Judd, Jessica Levin
"Man Push Cart":
Director: Ramin Bahrani
Producers: Ramin Bahrani, Pradip Ghosh, Bedford T. Bentley III
"The Motel":
Director: Michael Kang
Producers: Matthew Greenfield, Miguel Arteta, Gina Kwon, Karin Chien
"Sweet Land":
Director: Ali Selim
Producers: Alan Cumming, James Bigham, Ali Selim
"Wristcutters: A Love Story":
Director: Goran Dukic
Producers: Adam Sherman, Chris Coen, Tatiana Kelly,
Mikal P. Lazarev
JOHN CASSAVETES AWARD
(Given to the best feature made for under $500,000; award given to the writer, director, and producer) * Executive Producers are not listed.
"Chalk":
Director: Mike Akel
Producers: Mike Akel, Angela Alvarez, Graham Davidson, Chris Mass
Writers: Chris Mass & Mike Akel
"Four Eyed Monsters":
Writer/Director/Producers: Arin Crumley & Susan Buice
"Old Joy":
Director: Kelly Reichardt
Producers: Lars Knudsen, Jay Van Hoy, Anish Savjani,
Neil Kopp
Writers: Jon Raymond & Kelly Reichardt
"Quinceanera":
Writer/Directors: Richard Glatzer & Wash Westmoreland
Producer: Anne Clements
"Twelve and Holding":
Director: Michael Cuesta
Producers: Leslie Urdang, Michael Cuesta, Brian Bell, Jenny Schweitzer
Writer: Anthony S. Cipriano
BEST SCREENPLAY
Neil Burger: "The Illusionist "
Nicole Holofcener: "Friends with Money"
Ron Nyswaner: "The Painted Veil"
Jason Reitman: "Thank You For Smoking"
Jeff Stanzler: "Sorry, Haters"
BEST FIRST SCREENPLAY
Michael Arndt: "Little Miss Sunshine"
Anna Boden & Ryan Fleck: "Half Nelson"
Goran Dukic: "Wristcutters: A Love Story"
Dito Montiel: "A Guide to Recognizing Your Saints"
Gabrielle Zevin: "Conversations with Other Women"
BEST FEMALE LEAD
Shareeka Epps: "Half Nelson"
Catherine O'Hara: "For Your Consideration"
Elizabeth Reaser: "Sweet Land"
Michelle Williams : "Land of Plenty"
Robin Wright Penn: "Sorry, Haters"
BEST MALE LEAD
Aaron Eckhart : "Thank You For Smoking"
Ryan Gosling: "Half Nelson"
Edward Norton: "The Painted Veil"
Ahmad Razvi: "Man Push Cart"
Forest Whitaker: "American Gun"
BEST SUPPORTING FEMALE
Melonie Diaz: "A Guide to Recognizing Your Saints"
Marcia Gay Harden: "American Gun"
Mary Beth Hurt : "The Dead Girl"
Frances McDormand: "Friends with Money"
Amber Tamblyn : "Stephanie Daley"
BEST SUPPORTING MALE
Alan Arkin: "Little Miss Sunshine"
Raymond J. Barry: "Steel City"
Daniel Craig: "Infamous"
Paul Dano: "Little Miss Sunshine"
Channing Tatum: "A Guide to Recognizing Your Saints"
BEST CINEMATOGRAPHY
Arin Crumley: "Four Eyed Monsters"
Anthony Dod Mantle: "Brothers of the Head"
Guillermo Navarro: "Pan's Labyrinth"
Aaron Platt : "Wild Tigers I Have Known"
Michael Simmonds: "Man Push Cart"
BEST DOCUMENTARY (Award given to the director)
"A Lion in the House":
Directors: Steven Bognar & Julia Reichert
"My Country, My Country":
Director: Laura Poitras
"The Road to Guantanamo":
Directors: Michael Winterbottom and Mat Whitecross
"The Trials of Darryl Hunt":
Directors: Annie Sundberg and Ricki Stern
"You're Gonna Miss Me":
Director: Keven McAlester
BEST FOREIGN FILM (Award given to the director)
"12:08 East of Bucharest":
Director: Corneliu Porumboiu
(Romania)
"The Blossoming of Maximo Oliveros":
Director: Auraeus Solito
(Philippines)
"Chronicle of an Escape":
Director: Israel Adrian Caetano
(Argentina)
"Days of Glory":
Director: Rachid Bouchareb
(France/Morocco/Algeria/Belgium)
"The Lives of Others":
Director: Florian Henckel von Donnersmarck
(Germany)
SPECIAL DISTINCTION AWARD
David Lynch, Laura Dern:
In recognition of their unique and stunning collaborative work in the mesmerizing "Inland Empire" as well as the influential independent classics "Blue Velvet" and "Wild at Heart."
Posted by phileysmiley at 02:06 PM | Comments (0) | TrackBack
Here is the long-awaited official trailer for "Off the Black." The film opens in limited release on December 8.
See earlier blog entries for my review, pictures from screenings at Woodstock and Williamstown, a video of the Q&A after the East Coast Premiere, pictures of writer-director James Ponsoldt and star Trevor Morgan, the poster, and studio stills.
Posted by phileysmiley at 12:00 PM | Comments (0) | TrackBack
"Man in the Chair" will have its World Premiere at the prestigious Berlin International Film Festival, February 8-18 2007.
The film stars Christopher Plummer and Michael Angarano. Just recently we covered the premieres of Angarano's films "The Bondage" and "Black Irish," plus a possible Sundance World Premiere of "Snow Angels," not to mention his appearance this coming season on "24." The word "Oscar"has been tossed around for Plummer's performance.
Here is a synopsis of the film, written by the filmmakers. It MAY contain *SPOILERS*
CAMERON KINCAID, a rebellious 17 year old from a broken home is in trouble at school, with the law, and at odds with his mother and his constantly deriding harsh stepfather. Cameron's a fanatical film buff who longs to be an important cutting edge filmmaker, but so far it seems as if he is more likely to end up in prison than in Hollywood. Cameron gets the opportunity to pursue his dream when he enters a prestigious student competition, set up over Christmas vacation, which offers the winner a scholarship to their Hollywood motion picture school. Cameron enlists the assistance of a reluctant retired gaffer named FLASH, who is the only surviving crew member from the legendary Citizen Kane and who lives in the motion picture retirement home. Flash, in turn, persuades his elderly retired filmmaker friends that by helping Cameron realize his dream, they to can relive their dreams of working on the set again. Among Flash's friends is MICKEY HOPKINS, a frail geriatric old man, a retired Hollywood screenwriter living in a squalid, rat-infested home for the aged, forgotten by everyone except his old friend, Flash. When he's approached to write the screenplay for Cameron's new movie, Mickey is excited yet terrified and fearful that he has lost his magic touch with story. Mickey regains his confidence when Cameron shows how he has not been forgotten on IMDB. Cameron's new surrogate family and unlikely senior citizen production team winds up filming an award worthy documentary about the plight of the nation's elderly. During the course of the filming, Cameron's dream of being the Man In The Chair comes true but more importantly, his life is happily transformed through his mentor Flash who in turn, by rediscovering his dignity and reigniting his creativity can finally accept his fate with peace and tranquility.
Posted by phileysmiley at 08:11 PM | Comments (0) | TrackBack
The 2006 Avignon/New York Film Festival has wrapped. I saw two more screenings of "Black Irish," Wednesday and Saturday at Hunter College's Kaye Playhouse and Lang Hall, respectively. I'd attended the World Premiere and seen the film twice at the 2006 Hamptons International Film Festival (see our reports below). The Big Apple audience truly loved the film, and for me it gets better with each viewing.
The Q&As are always a blast. Melissa Leo has been present at all four screenings I've attended. Producers Jeffrey Orenstein and Kelly Crean were at the first New York screening (see the Q&A video below), and First Assistant Director (1st AD) Paul Epstein joined him at the last screening. Each session is different, and with the 1st AD present on Saturday, the audience had a behind the scenes look into the technical aspects of shooting the film. I don't know about you, but I eat that stuff up.
At the moment the film is looking for a distributor, and to that end additional festival screenings are in the works. The Sonoma Valley Film Society will present the first West Coast screening of "Black Irish" on December 10. Details can be found at the Sonoma Valley Film Festival site.
Posted by phileysmiley at 07:54 PM | Comments (0) | TrackBack
"Little Athens" hits store shelves tomorrow, Tuesday, November 21. I saw this film twice at the 2006 Philadelphia Film Festival in April. I've been to 9 festivals this year at which I've seen over 70 films, and few come close. I highly recommend it. It's indie all the way. The ensemble cast features John Patrick Amedori ("Butterfly Effect," "Stick It," Fox TV's "Vanished"), Jorge Garcia (ABC's "Lost"), Tory Kittles ("Against the Ropes," "Phone Booth," "Malibu's Most Wanted"), Michael Pena ("CRASH," "Lords of Dogtown"), DJ Qualls ("Hustle and Flow," "The New Guy," "The Core"), and Eric Szmanda (CBS's "CSI").
Check out my review (in 2 parts) and then check out the DVD. This is one of the best indies of 2006.
/Film is giving away a copy of "Little Athens." Here are all the contest details.
Speaking of Jorge Garcia, you can also get your "Hurley" fix tomorrow when Showtime Showcase re-airs "The Good Humor Man," his 2005 made-for-cable indie sleeper, at 6:05 PM Eastern. They've been airing it regularly for a couple of months to critical acclaim, and viewer demand may plant the idea of a DVD release in the corporate heads at Viacom. I reviewed the film earlier this year. It's a gem.
Also out tomorrow: "Sky High" (Kurt Russell, Michael Angarano) on Blu-Ray disc. You can pick it up at this assortment of retailers. A 2005 comedy classic, "Sky High" is one of very few films which I can watch repeatedly and still split my sides with laughter. Modern covers of 1980's "New Wave" classics are a treat for us "non-teens." Don't let the Disney brand fool you. The writers knew what they were doing in targeting the parents as much as the kids.
Posted by phileysmiley at 07:17 PM | Comments (0) | TrackBack
While I was away on assignment...
Clint Eastwood's "Letters from Iwo Jima" (formerly "Red Sun, Black Sand"), the companion piece to "Flags of Our Fathers," has a new release date. It moves up from February 9 to December 20, just in time to put it into Oscar consideration. It tells the story from the Japanese point of view. Look for a limited run beginning in NY and LA.
One of the few American actors in the film is Evan Ellingson, who plays Michael Angarano's younger brother in "The Bondage," 2006 SXSW Film Festival favorite whose progress we've been following all year. Evan and Michael also have character arcs in the next season of Fox's "24."
Speaking of "The Bondage," the industry screening which had been tentatively scheduled for this past week in New York has been moved to Los Angeles in early December. Eccentric Cattle Entertainment, the producers, have not yet announced a date. This will be the first opportunity for many distributors to see the newly recut version. While we'd been told that it was "looking that way" in reference to a deal with Lions Gate, nothing has been signed and the film is still up for grabs.
Posted by phileysmiley at 06:30 PM | Comments (0) | TrackBack
As an avid tech enthusiast, beta tester, application developer, and general all around geek, I constantly read the latest tech news. With the release of Windows Vista RTM, there has been no shortage of reading material, but more often than not, I end up shaking my head at the many misconceptions, and even blithering idiocy of some reports. While everyone is certainly entitled to their own opinions, I have to wonder sometimes what exactly some people have been putting in their morning coffee. Sensationalist headlines have hit the web over the past week, many of them completely out of context, and others not even relating to the real stories being presented.
I keep hearing that Windows Vista is too expensive - yes, everything is too expensive, but lets take a look at comparisons. Most new Video games run $60 USD a pop, independent software titles from companies like Adobe often run $300, $400, even $500 for one single program. Antivirus companies are charging $30-$40 a year for their software. And yet people are complaining about $299 for Windows Vista, a software 'package' that is what gives us the platform to run the programs we choose to run. Of course most people will never spend the $299, as it is a much better deal to get it pre-installed on a new computer, and especially now with the Vista Upgrade coupons, it makes sense to upgrade hardware and software from those Windows 98 machines that people seem to be hanging onto.
Then of course there is the 'I can't afford a thousand dollar computer to run Windows Vista' - utter nonsense! I have installed Vista RTM on a $350 desktop, and a $400 laptop, and have full capabilities of all the Vista has to offer, including Aero Glass. Are these gaming machines - of course not, but they both are better than the desktops and laptops that many people are still running. So why upgrade if your current hardware and software does everything you want to? Don't, just wait until the hardware or software crashes, and then come pay me to fix it, or pay me to recover your data. Of course you could always pay Geek Squad, or Firedog a heck of a lot more, and they will probably end up charging you money to tell you they can't fix it, then end up selling you an overpriced new system so full of overbloated software that it will be slower than your old system .
Lastly, but certainly not least, we have those people who don't seem to understand that the future requires change in order to grow. Windows Vista is the next step - it is not an express elevator to the top, it is a step towards better programs, more productivity, more security, and a richer computer experience. It is a fact that most people use Windows on PC's - why? Because it is easier to use than most linux flavors, it offers more support for polished third party software, and it does not require a branded hardware platform to run - and oh yeah, it has by far the best games!
Posted by jrfree1 at 07:05 PM | Comments (0) | TrackBack
Last night I attended the New York City Premiere of "Black Irish" at the Avignon/New York Film Festival. The venue was the Kaye Playhouse at Hunter College, host of the festival. As posted earlier, this was not my first time seeing the film. In fact, I'd attended two screenings at the Hamptons International Film Festival where it had its World Premiere. But there is no place like New York, and an air of electricity surrounds festivals there which adds a sense of excitement that simply cannot be found anywhere else.
I've written my review and posted news and information about the film as it's been available. What could I add to my perspective on "Black Irish?" Plenty. It's hard to imagine one could see a film over and over and still find something new each time. But that's exactly what has been happening. It's odd, in a way. My favorite scene seems to be funnier each time. Maybe it's because I know what's coming -- in fact, I had to use all my energy to keep from splitting my sides even as that scene was beginning. "What on Earth is he cracking up about?" folks would say. And the scenes which brought tears to my eyes (there are many) have me holding back even as the action is unfolding. A strange dynamic takes hold when you know what's coming. The impact is greater, not less.
Of course, you catch lines you missed, see nuance and color and tricks of light you hadn't been aware of previously. But then, isn't that why people buy DVDs and can watch the same film over and over? So I suppose it's not unusual at all.
Melissa Leo, who plays Margaret McKay, graciously handled the Q&A as she did at the Hamptons. Joining her at the mike were producers Jeffrey Orenstein and Kelly Crean. I'd met Melissa and Kelly before and they were as gracious as could be. This was my first opportunity to chat with Jeffrey Orenstein, and we shared what only two people with a similar passion are able to share. It was truly a joy meeting him and spending time talking about films, his as well as others. I look forward to continuing the conversation.
Much thanks to all for their generosity in allowing me to tape the Q&A. Hopefully it can open a window into what it takes to make an independent film, and hopefully you'll get the opportunity to see this particular one sometime soon.
Click the "play" button. Alternatively, you can go HERE to view at Google Video.
Posted by phileysmiley at 08:34 PM | Comments (0) | TrackBack
One of the often overlooked set of features of Windows Vista is its great features for accessability. Added to the previous accessability features of Windows XP, Windows Vista now includes a great built-in speech recognition feature. While this feature is great for users who want to dictate a letter, and show off the novelty of being able to control their computer's with voice commands, it will open up a whole new world for people with physcial challenges who previously either had to purchase expensive third party solutions, or just go without adequate computer access. The built in accessibility features including speech recognition in Windows Vista can change all of that.
Imagine not being able to use a keyboard or a mouse and being stuck in a world where you are dependent on others for your everyday needs. Now, imagine that suddently you can use a computer to surf the internet, send and recieve emails, communicate with people all over the world, and enjoy many of the computer programs which are out there to experience things that before where out of reach. This is truly an area which could have a profound impact on people who were previously bound by thier physical challenges.
Experimenting with the speech recognition in Windows Vista, I was easily able to open, use, and close native Windows and many third party applications. Browsing the internet was easy - I could even make forum posts! Playing music or watching a video was just a matter of a few voice commands. While there is still some work that is needed for many applications in order to make them fully speech compatible, the current implementation is quite good, and the future potential is incredible. In addition, the ability to communicate with others through email and web interfaces by using speech recognition will open a new world to those with physical limitations.
With the low cost of entry-level computers today, and the features that are found in Windows Vista, those with physical challenges will more easily be able to experience many of the wonders of modern day technology. Although the technology is not quite perfected, it has certainly come a long way, and with further advances from Microsoft, and the help of third party solutions, more and more people who were previously unable to use a computer, will now be able to join the worldwide community.
Posted by jrfree1 at 11:33 AM | Comments (0) | TrackBack
As we posted earlier, I'll be attending the Avignon/New York Film Festival this week. Tonight at 9:30 PM is a screening of "Black Irish" at the Kaye Playhouse, on the grounds of Hunter College in Manhattan, the location of the festival.
Before anyone says "wait a minute, this sounds familiar..." I will admit that, yes, I already did see this film. In fact, I attended the World Premiere at the Hamptons International Film Festival a month ago, where I actually saw the film twice. My review, pictures of the cast and crew, and a video of the Q&A are posted below.
I'm no glutton for punishment, though. It's no secret that I loved the film. So I see no reason not to see it again, especially for the experience of witnessing how another festival audience reacts to the film. There will also be another Q&A, and each one is different.
So I'm looking forward to this (3rd) look, and to seeing writer-director Brad Gann and producers Kelly Crean and Todd Harris once again. Maybe some of the cast and crew will be there who were not able to make it to the Hamptons. I'll be sure to let you know!
Posted by phileysmiley at 02:46 PM | Comments (0) | TrackBack
Today we have yet another scoop for you. "Starter for Ten" was one of my Top 5 Picks from this year's Toronto International Film Festival. We have just learned that the film will be released in the US on February 16, 2007.
It has been getting rave reviews at screenings in the UK, and many have eagerly anticipated the announcement of a domestic theatrical date. Thanks to Picturehouse for providing the confirmation.
Posted by phileysmiley at 02:17 PM | Comments (0) | TrackBack
First off, much thanks to Nick Cassavetes for graciously allowing me to tape a good portion of last night's post-"Alpha Dog" Q&A at the University of Pennsylvania in Philadelphia. As I mentioned in the post below, it was a fascinating night as an audience of mostly college students, many of whom were film majors, grilled the writer-director of this controversial film in a no-holds barred freewheeling question and answer session.
Here is a 20 minute segment of the Q&A. Keep in mind that the auditorium's lighting was not geared for filming, and it is very difficult to make out the questions. But Nick's answers should give a pretty good indication of what was being asked. The Q&A lasted well over an hour, so I naturally stopped shooting after the initial round of questioning.
WARNING: It MAY include spoilers, depending on how much you know about the true story. There is a definite spoiler just after 20:00, so stop it there if you like. Also some so-so language.
Posted by phileysmiley at 04:21 PM | Comments (0) | TrackBack
Last night I saw "Alpha Dog" again. I'd attended its World Premiere at the Sundance Film Festival. This was the 2nd stop on writer-director Nick Cassavetes' college tour. He almost didn't make it because of weather delays flying out of Boston, but they pushed the film back a bit and he caught a later flight that got in just in time. He and I stayed and chatted after the Q&A and we had a great talk. I also taped most of the Q&A, a little more than 20 minutes, and will upload it to Google Video.
I'll just say this...it's almost a whole different film the second time. With all the tension out of the way, since you've seen it and know what happens, you are able to pay more attention to the dialogue and nuances in the performances. The first time I saw it I guess I took it pretty seriously. After all, consider the subject matter. It's based on a true story about the murder of a 15 year old boy. But I was more relaxed this time and realized just how funny it is as well. There really are a lot of great lines and laughs. I had brushed that off the first time because I was focusing on the crime. I guess I felt guilty about laughing at Sundance. But this time I noticed the humor in it a lot more than I did before. The audience got the joke as well. There was a lot of laughter, but not because they thought the film was silly or that the acting wasn't up to par, but because a lot of it is damn funny.
So if anyone says, "the audience laughed," well, it's not because they are making fun of the film. It's because there's a lot to laugh at. Ben Foster's over the top performance is even more so on the second viewing. Justin is so out of place trying to be a tough guy. Because the reality is, he is not playing a tough guy. He is playing a guy who is trying to play a tough guy. I hope that makes sense. See, all of these guys were goofballs. None of them knew what the heck they were doing. And it IS funny.
But what they did wasn't, of course. And that's the real beauty of this film. One minute you're laughing, then there is dead silence in the theater, and you can hear a pin drop. And then you hear people sobbing. You see the tissues come out and guys trying to hide the fact that they are wiping away tears.
This was a college audience, 18-21 year olds, at an Ivy League University. Just saying that these were intelligent young people and they got it. They got it.
Posted by phileysmiley at 02:55 PM | Comments (0) | TrackBack
"It's a Boy Girl Thing" is the first feature film produced by Elton John and his partner David Furnish. It stars Kevin Zegers ("Transamerica") and Samaire Armstrong ("The O.C.") as two high school kids who wake up in each other's bodies. Sworn enemies, they decide to use the opportunity to ruin each other's reputations. It can be considered an indie, as it was produced outside the UK studio system. The first official trailer has just gone up.
You can view the trailer in QuickTime format at distributor Icon Pictures' official site.
"It's a Boy Girl Thing" will be released in the UK December 29. No US date yet.
Posted by phileysmiley at 06:48 PM | Comments (0) | TrackBack
Festival season rolls on...and as with the Sundance Film Festival in Park City, Utah in January, the SXSW Film Festival in Austin, Texas in March, the Philadelphia Film Festival in Philadelphia in April, the Tribeca Film Festival in New York in April-May, the Toronto International Film Festival in early September, the Woodstock Film Festival in mid-October, the Hamptons International Film Festival one week later, and the Williamstown Film Festival a few days after that, I will be attending the Avignon/New York Film Festival this week.
This year's festival runs from November 15-19. As with all festivals, many films are premieres and are attended by the cast & crew. They stay afterward for a Q&A and the audience has the unique opportunity to sit with them and then chat afterward. There is occasionally a party following that as well. I will be reporting from the various events I attend and will post pictures as well.
I will post the films I'll be attending shortly.
Previous festival coverage, reviews, & pictures:
Sundance
SXSW
Philly
Tribeca
More Tribeca
Toronto pre-festival info
For Toronto, Woodstock, Hamptons, and Williamstown coverage, scroll down on this blog.
Avignon/New York Film Festival site
Posted by phileysmiley at 02:25 PM | Comments (0) | TrackBack
Is there a connection between my previous post about independent films and my choice to write about and support the careers of actors who do them? Absolutely.
At film festivals, online, in emails, and other forms of communication I am regularly asked why certain actors are not as well known as they could or should be. More specifically, I'm asked why some actors choose to do indies as opposed to big Hollywood movies. Those who've read my articles know that I write almost solely about independent films and lean towards covering the careers of actors who don't necessarily appear on the cover of People, even though their fans may think they should.
It comes up in conversation and online quite often, and I definitely think it's useful to get a handle on what independent film is all about and why we wrestle with things like getting "picked up" as opposed to "here is the release date." As someone whose life revolves around independent films, I find myself defending those who do them, which invariably involves educating people about what they are. This is part of the rationale behind my previous article.
Those who are daring and bold enough to choose to make and act in independent films are worthy of all the applause and accolades possible. I guess that's one of my primary motivations for writing about them in the first place. I have so much respect for them, regardless of their talent or who they are as people (it is no secret that some are personal friends), simply by virtue of the career path they have chosen. The rest is icing on the cake.
Posted by phileysmiley at 08:17 PM | Comments (0) | TrackBack
A comment was made at Michael Angarano's official message board regarding Dustin Hoffman's discussion of what he describes as "Hollywood Euthanasia." He said that films "are unlikely to get picked up unless they fit within the big Hollywood conventions, and then if they don't do exceptionally well within the first weekend they are often pulled" from theaters. The poster used some of Angarano's films as examples. Following was my response.
Dustin Hoffman is a brilliant man and a mentor of mine. The subject is also very close to my heart and I have written extensively about it as well. To some extent he's correct, but it's a bit of a simplification to lump all films into the same category. Yes, it is true that there were once "Hollywood movies" or nothing at all, but that changed about 30 years ago. There are now, generally, two types of films: movies backed by major studios, which are generally designed to pull big box office their opening weekend (which is mainly what he was referring to) and independent films (indies), which are made outside the studio system. The producers of indies do, of course, hope to get distribution. The films are submitted to film festivals, for example, largely for that reason. But the motivation is different. While they would, of course, like to have a "big opening weekend," these films really are not intended to compete with the big Hollywood movies in theaters. Almost by definition, they are aimed at a more limited audience and not usually written and directed with the goal of being accepted by the "mainstream" as much as Hollywood movies.
Now, these are just generalizations, of course. But the goal of many indie filmmakers is just to have their films be seen, get critical acclaim, possibly garner awards, and make enough money through box office and DVD sales and rentals that they can finance another project. They generally want to be able to keep making films, not necessarily become famous or wealthy, although some do. But their goal is more a creative and artistic one and not a fame- or money-driven one. Each of the films you mentioned can be analyzed in terms of their purpose and goals. For example, "Dear Wendy" was a foreign film and as such not even part of the American independent film realm. "One Last Thing" was a whole different animal. It was made to be released to theaters, cable TV, and DVD simultaneously. Box office was almost not even a consideration. The idea was simply to make profit wherever it could be done, and the producers were the distributors so there was no need to make the film with the goal of finding distribution. It was built in. "Black Irish," "The Bondage," and "Snow Angels" are more alike in that they were made with the hopes of getting distribution. But because they were not made within the studio system, although not impossible, they weren't necessarily designed to open in wide release against a major studio blockbuster.
I can't speak for the filmmakers, but films such as this generally play festivals, get picked up by distributors, open in limited distribution, and are noticed within the industry for their quality and artistic content. Maybe they will get great reviews and win awards. People will write about the films. Eventually they will go to DVD and find an audience. Films make the most amount of money on sales to cable TV. Next are DVD sales and rentals. Box office is last. So the idea of "big box office" on an opening weekend isn't really part of the mix. Hopefully the producers will turn a profit, or at least make back their investment. Most of all, the filmmakers and actors will have had the chance to hone their craft, further their careers, and be able to use the film as a stepping stone to more work and, maybe, bigger projects. Think of it as a training ground, or continuing education.
Now, if Hoffman's lament was more along the lines of, "why can't independent cinema be mainstream and not Hollywood movies?" then that is a different discussion. Then we are talking about wiping out the definition of independent film altogether. Perhaps what he is really asking is, "why won't Hollywood studios make films as good as independent films?" And THAT may be the ultimate question. It boils down to, "does the art reflect the culture or the other way around?" Are they simply making films that people want to see or are people forced to see only what they are making? But it's somewhat moot because there is really no way to gauge that. And it's a question that goes back thousands of years. Supply and demand. As long as the movie "business" is a business, financial considerations win out over creative ones. It's the same way in television, music, radio, publishing -- all of the arms of the entertainment industry. It's up to the people at the top to take a chance and produce work that has more of an artistic goal than increasing the bottom line. And that boils down to this: who owns the companies? Public corporations which have to answer to shareholders. Privately held firms can take that chance. It's all about capitalism. But someone has to buck the trend, and it has to be someone with vision. Until that happens, what we see is what we get.
Posted by phileysmiley at 04:42 PM | Comments (0) | TrackBack
Here is the long-awaited official poster for "Off the Black." The film opens in limited release on December 8. See earlier blog entries for my review, pictures from screenings at Woodstock and Williamstown, a video of the Q&A after the East Coast Premiere, and pictures of writer-director James Ponsoldt and star Trevor Morgan.
Click the thumbnail
The following studio stills were also released today:
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At a press event the other day, Microsoft co-president Jim Allchin made a remark concerning security in Windows Vista. As has happened quite frequently lately, many members of the media have taken his comment completely out of context and twisted it into something it wasn't. This unfortunately is journalism at its worst, and in an effort to make sensational headlines, we have seen a number of headlines stating that Jim Allchin said Vista won't need to run an Anti-virus solution. This is not what Jim Allchin said, yet it seems his words have been twisted once again by those hungry for headlines.
The original quote from Jim Allchin was "My son, seven years old, runs Windows Vista and, honestly, he doesn't have an antivirus system on his machine. His machine is locked down with parental controls, he can't download things unless it's to the places that I've said that he could do, and I'm feeling totally confident about that." Nowhere did he say that the average user of Windows Vista doesn't need Anti-virus, but rather Jim was referring to his seven year old son, who is running in protected user mode, with highly customized security settings which make the chance that a virus will ever be downloaded in the first place highly unlikely. He did not recommend not using Anti-virus, nor did he allude to any issues with Anti-virus companies, yet this is what has appeared in the headlines.
In the past few months, many members of the media have created headlines that have given an incorrect perspective regarding security in Windows Vista. Some of the statements have been highly interpretational, while others have been blatently wrong. It is one thing to report on facts, but it is another to basically make up a story just to grab headlines. Are there issues regarding Windows Vista security? Sure there are. There will always be issues when it comes to computers and security. However, when it comes down to it, Windows Vista is much more secure than any previous version of Windows, and that fact alone is a good reason to use it.
Posted by jrfree1 at 06:55 PM | Comments (0) | TrackBack
It has been posted elsewhere that "Man in the Chair" will have its World Premiere at the Santa Fe Film Festival. The Festival posted it on their website and sent it out to the press.
It is NOT happening. I received this message from the filmmakers tonight:
"MAN IN THE CHAIR is NOT a world premiere at the Santa Fe Film Festival. Due to other festivals/distribution complications beyond our control we have withdrawn from this festival. Once distribution and future festivals are set we will announce on the website. Thank you. MAN IN THE CHAIR."
The film stars Christopher Plummer and Michael Angarano. Just recently we covered the premieres of Angarano's films "The Bondage" and "Black Irish," plus a possible Sundance World Premiere of "Snow Angels," not to mention his appearance this coming season on "24." The word "Oscar"has been tossed around for Plummer's performance.
Here is a synopsis of the film, written by the filmmakers. It MAY contain *SPOILERS*
CAMERON KINCAID, a rebellious 17 year old from a broken home is in trouble at school, with the law, and at odds with his mother and his constantly deriding harsh stepfather. Cameron's a fanatical film buff who longs to be an important cutting edge filmmaker, but so far it seems as if he is more likely to end up in prison than in Hollywood. Cameron gets the opportunity to pursue his dream when he enters a prestigious student competition, set up over Christmas vacation, which offers the winner a scholarship to their Hollywood motion picture school. Cameron enlists the assistance of a reluctant retired gaffer named FLASH, who is the only surviving crew member from the legendary Citizen Kane and who lives in the motion picture retirement home. Flash, in turn, persuades his elderly retired filmmaker friends that by helping Cameron realize his dream, they to can relive their dreams of working on the set again. Among Flash's friends is MICKEY HOPKINS, a frail geriatric old man, a retired Hollywood screenwriter living in a squalid, rat-infested home for the aged, forgotten by everyone except his old friend, Flash. When he's approached to write the screenplay for Cameron's new movie, Mickey is excited yet terrified and fearful that he has lost his magic touch with story. Mickey regains his confidence when Cameron shows how he has not been forgotten on IMDB. Cameron's new surrogate family and unlikely senior citizen production team winds up filming an award worthy documentary about the plight of the nation's elderly. During the course of the filming, Cameron's dream of being the Man In The Chair comes true but more importantly, his life is happily transformed through his mentor Flash who in turn, by rediscovering his dignity and reigniting his creativity can finally accept his fate with peace and tranquility.
Posted by phileysmiley at 06:36 PM | Comments (0) | TrackBack
Much thanks to the Chris Marquette fansite for posting my "Alpha Dog" review, as well as some of my comments about Chris' performance in the film. It is much appreciated. Their site is new and topnotch in quality and graphics. Check it out.
Another actor from "Alpha Dog" (out in wide release January 12), as well as "Little Athens" (out on DVD November 21), Shawn Hatosy, had a dazzling guest appearance on last nite's ER. The episode was directed by the show's creator, John Wells. Here are some of the comments left at IMDb about the show:
"That was the one of the best guest star performances that E.R has had in years. His acting was freaking brilliant! He honestly brought me to tears, I mean he was that incredible. I've always known that Shawn is a great actor but I just never knew how much until tonight. He blew me away and I was deeply moved. Shawn you rock!"
"I don't even watch ER, but I happened to turn to it while channel surfing last night. Shawn kept me from changing the channel! I was glued to this show I never watch, and all because of Shawn's performance!!! I'm sorry to say that I had no idea who he was until this morning, but I was so moved by his performance last night that I actually joined the ER website to see if I could find out who this unbelievable actor is. As soon as I read the post identifying Shawn (along with a link to this website), I came directly here to tell Shawn how I felt about his unbelievable performance.
Shawn,
Your performance last night was above and beyond that of most, if not all "big" stars we see on both television and movie screens. I will not be surprised to see you someday collecting your Academy Award.
Your performance on ER last night not only left me awestruck, it prompted me to post this message. Chalk that up to two miracles in one evening ;-)
May your star shine for many years to come. I will be looking for your future performances.
Incredible,
blkeyesuzi"
I'd link to credits but you need to be registered to see them. Both posters have kindly lent permission for me to repost here. Dare I say "Emmy?"
Posted by phileysmiley at 06:14 PM | Comments (0) | TrackBack
"Alpha Dog" writer/director Nick Cassavetes will be touring the country's colleges and universities beginning this weekend. The film opens in wide release on January 12. We have written extensively about the film and posted a review below. Here is the schedule, direct from Nick:
Sunday 11/12
Boston University
8:00pm
Regal Cinema Fenway
401 Park Dr. Suite 7
Boston MA 02215
Monday 11/13
University of Pennsylvania
8:00pm
International House
3701 Chestnut St.
Philadelphia PA 19104
Tuesday 11/14
University of Georgia
8:00pm
Tate Theatre
153 Tate Student Center
Athens GA 30602
Thursday 11/16
Northwestern University
5:00pm
Block Cinema
40 Arts Circle Dr.
Evanston IL 60208
Mon, 11/20
UC Berkeley
5:00pm
Landmark Shattuck
2230 Shattuck Ave.
Berkeley CA 94704
Monday 11/27
University of Minnesota
7:30pm
Oak Street Cinema
309 Oak St. SE
Minneapolis MN 55414
Tuesday 11/28
University of Texas
8:00pm
Texas Union Theatre
24th St. & Guadalupe
Austin TX 78705
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Posted by phileysmiley at 11:09 PM | Comments (0) | TrackBack
It's exciting to see some of my festival favorites of 2006 reaching wider audiences. Here are some upcoming dates for films I've reviewed favorably (with festival I attended in parentheses):
"The Lost" (SXSW) is showing at the Cardiff Film Festival in Cardiff, Wales:
Friday, November 10
9:30 PM
Cineworld 15
"Swedish Auto" will have 7 screenings at the International Filmfestival Mannheim-Heidelberg:
International Filmfestival Mannheim-Heidelberg
"Citizen Duane" (Toronto) will be screening at the Whistler Film Festival in Whistler, BC, Canada:
Thursday, November 30th
4:00 PM
Village 8 - Theatre 7
"I'm Reed Fish" (Tribeca) will be screening at the Whistler Film Festival in Whistler, BC, Canada:
Friday, December 1st
7:00 PM
Village 8 - Theatre 6
"Glue" (Toronto) will be showing at the Thessaloniki International Film Festival, November 17-26 in Thessaloniki, Greece:
Thessaloniki International Film Festival
Posted by phileysmiley at 05:44 PM | Comments (0) | TrackBack
"Citizen Duane" was one of my top picks from this year's Toronto International Film Festival (see my review HERE).
Click the thumbnails to enlarge pictures
Courtesy THINKFilm
Posted by phileysmiley at 01:55 PM | Comments (0) | TrackBack
The release of "Off the Black" is imminent and some more details are emerging. Earlier we posted a review from the East Coast Premiere at the Woodstock Film Festival as well as a video of the Q&A and pictures from last week's screening at the Williamstown Film Festival.
The official release date is December 8 (NOT the previously announced December 1) and it will open in the following theaters in New York City:
Regal Union Square 14
AMC Empire 25
After NY, it will open in LA, San Francisco, Berkeley, San Diego, Chicago, Minneapolis, and Washington DC.
"Off the Black" is being mentioned in many newspapers' holiday movie preview features, including Sunday's New York Times and Sunday's Los Angeles Times.
The film co-stars Nick Nolte and Trevor Morgan. I've been asked how well-known Trevor is (see pictures of him several posts below). Most know him as Erik Kirby in "Jurassic Park III," especially since it was a very large role in a movie that made $363 million worldwide, and as Mel Gibson's son in "The Patriot," which made $215 million. Of course, add a small role in the "Sixth Sense" at $662 million and that adds up to 3 films that made well over $1 billion. That's a lot of exposure. He was a "child actor" at the time, however.
Among people who are fans of indies and smaller films, and who watch cable and rent DVDs, "Mean Creek" is the one which put him on their radar. It's also the most exposure he's had as a teenager, and since many don't really connect him today with his films as a "child actor," "Mean Creek" is more indicative of what he can do. Plus he has completed 3 films recently ("Local Color," "Off the Black," and "Chasing 3000"), none of which are out yet, and all 3 films' directors cast him largely based on his performance in "Mean Creek."
He is even more well known among film students, teachers, other actors, casting directors, producers, festivalgoers, and programmers of film festivals, for his role in "Mean Creek."
Press photo courtesy THINKFilm
Posted by phileysmiley at 10:07 PM | Comments (0) | TrackBack
Shawn Hatosy ("Outside Providence," The Faculty," "Borstal Boy," and the upcoming "Little Athens" and "Alpha Dog," both reviewed below) got some good news today from the head honchos at FOX. His pilot "Drive," shot over the summer, has been picked up for a possible Spring 2007 launch. 12 more episodes have been ordered. Meanwhile, we hope that the December 29 release of his "Factory Girl" won't be held up as reshoots take place over the next few weeks...
"Homeland Security" is the new film written and directed by George Gallo, who also wrote and directed "Local Color" (reviewed below) with Trevor Morgan and Armin Mueller-Stahl. So it should be no surprise that Trevor has been added to the cast of this new film.
It stars Antonio Banderas, Meg Ryan, Colin Hanks, and Selma Blair. They are filming in Shreveport Louisiana. Trevor plays the younger lover of Meg Ryan.
The film also reunites "Local Color" producer Julie Lott, cinematographer Michael Negrin, and composer Chris Boardman. Millennium Films is producing and distributing.
Posted by phileysmiley at 05:16 PM | Comments (0) | TrackBack
Earlier, we reported that Michael Angarano ("Sky High," "Lords of Dogtown," and the awaiting-release "The Bondage" and "Black Irish," both reviewed below) had landed a role on the upcoming season of "24" on FOX. Michael could only tell us that he was playing "a kid named Scott" and would be shooting 5-7 episodes. We have now received word that he has completed shooting his character arc, which was expanded to a total of 8 episodes.
No word on exactly which ones, but it's somewhat moot since you'll have to watch the show from the start anyway! "24" begins with a two night, four hour premiere starting on Sunday January 14, 2007 at 8PM EST/7PM Central time and concluding on Monday, January 15, 2007 at 8PM EST/7PM Central on FOX.
By the way, Evan Ellingson, who plays Michael's younger brother in "The Bondage," also appears on the upcoming season of "24." His character is named Josh. Watch for him as well.
And One Last Thing...Michael has left longtime agent Meredith Fine at Coast to Coast Talent Group and signed with industry king ICM. This is likely to lead to bigger and better things for the young actor. We think it's a smart move.
Posted by phileysmiley at 04:57 PM | Comments (0) | TrackBack
Try to follow this one. "Mean Creek" is one of my all-time favorite indies. It premiered at Sundance in 2004 and has recently had new life on cable. The young ensemble cast includes Trevor Morgan (pictured several posts below), Ryan Kelley, and Rory Culkin. Trevor and Rory recently completed another film together titled "Chasing 3000," awaiting release. They've not only remained friends offscreen but are working together again onscreen as well.
Meanwhile, Ryan Kelley also co-stars in "The Dust Factory" with Armin Mueller-Stahl. And "Local Color" (reviewed below) stars Trevor Morgan and Armin Mueller-Stahl. Following this? All that's left is for Trevor and Ryan to reunite. They have remained friends offscreen as well, and when the film "Still Green" was being cast, the two were to be reunited onscreen as well. But alas, scheduling didn't allow it and Trevor went on to other projects. But "Still Green" became a starring vehicle for Ryan Kelley and has been quietly coming into shape for the past year. Just completed, an official site has gone live, and just yesterday the producer notified us that a trailer is now up. It's might impressive and the sound mix is killer. Crank it up.
Posted by phileysmiley at 04:31 PM | Comments (0) | TrackBack
Earlier this year, I attended the World Premiere of "Local Color" at the Tribeca Film Festival. I posted my review HERE along with some pictures from the afterparty. The film stars the legendary Armin Mueller-Stahl and Trevor Morgan, who is also pictured numerous times below from this past weekend's screening of another of his films at Williamstown.
I also saw the film again a few weeks ago in Nyack, New York. It was presented by the Rivertown Film Society in conjunction with an exhibition of writer/director George Gallo's paintings at the Hopper Arts Center gallery there. The film did not have distribution, and the hope has been that showing the film at festivals would result in it getting picked up and be released in theaters.
Today it was announced that Media 8 has acquired "Local Color" for international distribution. A domestic release is scheduled for Spring 2007. Congratulations to all from "Local Color!"
Posted by phileysmiley at 07:27 PM | Comments (0) | TrackBack
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